Art Deco Chanin Building Panel D8 “Activity” To purchase an interior cast of this; Art Deco Chanin Building Panel D8 “Activity” HISTORY of the building The 56 story tall Chanin Building is a brick and terra-cotta skyscraper located at 122 East 42nd Street, at the corner of Lexington Avenue, in Manhattan. Built by Irwin S. Chanin in 1929 It was designed by Sloan & Robertson in the Art Deco style, with the assistance of Chanin’s own architect Jacques Delamarre, and it incorporates architectural sculpture by noted sculptor Rene Paul Chambellan. In the lobbies, eight bronze reliefs designed by Rene Paul Chambellan are inset in the walls above ornate…
-
-
Sculpture of the week (December 17th, 2019)
Art Deco Chanin Building Panel D10 “Enlightenment” To purchase a cast of this sculpture; Art Deco Chanin Building Panel D10 “Enlightenment” HISTORY of the building The 56 story tall Chanin Building is a brick and terra-cotta skyscraper located at 122 East 42nd Street, at the corner of Lexington Avenue, in Manhattan. Built by Irwin S. Chanin in 1929 It was designed by Sloan & Robertson in the Art Deco style, with the assistance of Chanin’s own architect Jacques Delamarre, and it incorporates architectural sculpture by noted sculptor Rene Paul Chambellan. In the lobbies, eight bronze reliefs designed by Rene Paul Chambellan are inset in the walls above ornate…
-
Sculpture of the week (December 3rd, 2019)
This attractive repeating Art Deco design originally was made in individual nickel plated bronze pieces. The pieces when bolted together formed a repeating motiff lintel across the top of the interior entrance doorway of the Women’s House of Detention. The Jail was located at 6th Ave behind the present day Jefferson Market Public Library which was originally a courthouse. The New York Women’s House of Detention is believed to have been the world’s only art deco prison. It was designed by Sloan and Robertson in 1931 and opened to the public with a luncheon on March 29, 1932. The courthouse, and jail, the latter which was subsequently opened in 1934…
-
Sculpture of the week (November 19th, 2019)
Sullivanesque panel, after historic artifacts once on the James W Scoville building, Chicago. I am excited to offer this interesting Sullivanesque 1884 design after the artifacts that were connected to Adler & Sullivan, George Elmslie, Kristian Schneider, and once installed on the James W Scoville building in Chicago. Those involved in creating the original 1884 Chicago design are said to have included; Dankmar Adler Louis Sullivan George Grant Elmslie Kristian Schneider Significance: The James W. Scoville factory building, designed by Adler & Sullivan contains three different designs belonging to the transitional period (1880 and 1890) of Louis Sullivan’s architectural ornament. This structure was the best and most ornamental of all…
-
Washington Irving school Sullivanesque Pier Capital
Hope to finally finish this Sullivanesque pier capital to-morrow, the clay is getting pretty firm despite being covered with plastic and spritzed with water, so it needs to be finished now. It’s amazing how much time this design takes, probably twice what other models I’ve done have taken, there’s a lot of detail packed in on the surface! I still have 5 of the 8 “squares” along the sides- the 4 on the right and the bottom left one to finish refining and cleaning up and then it’s done. Now that the model is done it is drying out. There is an 11 minute long timelapse video showing the…
-
Washington Irving school, Hammond Indiana W1 pier capital model progress
This complex design will take a while to finish! Here’s where the progress is now.
-
James W Scoville building terracotta
This James W Scoville building Elmslie “Sullivanesque” sculpture is now out of the kiln, it is still about 200 degrees and had to be handled with gloves, it turned out perfect! One can see the color change in photos from the previous dry/unfired state and now that it’s been fired to a little over 2,079 degrees, actually cone 2 tipped because I added a 15 minute “hold” at the set temperature, but because of the “heat work” it went a little higher, but the result is better and the color is nice and even top to bottom, whereas in the past the very bottom of large pieces like this would…
-
The Jamws W Scoville Elmslie Sullivanesque panel kiln firing
After 4 weeks of drying I placed the pressed clay Chicago James Scoville building “Sullivanesque” panel in the kiln and turned ‘er on. I changed the program on the controller slightly for this piece by bumping the temperature up and adding 10 minutes soak time to when the kiln reaches that temperature. About 37 hours from now the kiln will shut off and take half a day to cool down before I see what I get. Meanwhile, here it is sitting in the kiln when I turned it on. The light yellow colored deals touching the back of the panel are shelf posts and I placed them on both front…
-
James W Scoville, George Elmsley/Sullivanesque design first pressed clay
The first hand-pressed clay sculpture is finished and drying now before it can be kiln fired. Once this is fired in the kiln I will have an exact size and weight and a firm price for these signed, numbered and dated works reproducing this historic George Grant Elmslie/Louis Sullivan 1884 Chicago design featuring a styled webbed lotus. The design is an early work by these men and it dates to the foundation of what has become known as the “Sullivanesque” style of architectural ornament. The James W Scoville building was demolished in the 1970s, many of the original artifacts were salvaged, most are in private collections while a few…
-
First pressing of the James Scoville “Sullivanesque” terracotta panel
I pressed the first LS2 panel today, it took 60 pounds of clay, the sculpture will need to firm up a little and dry a little before I can finish cleaning up and refining the surface details. It takes about 2- 3 weeks of slow, careful drying of pressed clay sculptures of this size before they can be kiln fired. The firing process in an electric kiln takes approximately 36 hours and the high quality clay I use is fired to what is known as “Cone 1”- about 2,100 degrees F which vitrifies it nicely to become harder and less porous than standard hard bricks are. Once the sculpture was…