• Architectural Sculptures

    More progress

    Now that I’m mostly caught up on making and shipping casts people ordered the past 2-3 weeks, I am finally able to get back to working on this model again. I didn’t do much at all the last couple of weeks as I had other things to get done, and even covered in plastic and spritzed periodically, it’s gotten a bit firmer than I wanted, but as long as I finish it this weekend and not let it go much longer- I can hollow the back out and let it rapidly dry out. It is called “Endurance” 17″ x 28,” modelled after an original ca. 1928 design by Rene P.…

  • Architectural Sculptures

    D9 progress

    The second panel in this series is roughed out and a work in progress. This one is called “Endurance” and depicts the figure exerting pressure Atlas-like in an upwards movement, the effort of which is reinforced by the cracking, jagged and distorted lines surrounding him. Original low relief design (one of eight) ca. 1928 by Rene P. Chambellain for the two lobbies of the landmark Art Deco Chanin building in NYC. Model- Feb 2012, by Randall, 17″ x 22″ water clay.

  • Architectural Sculptures

    First cast

    I have begin casting this panel now, this one is for a client who plans an Art Deco bedroom. The panel was cast today and will take a few days to dry out, then it will get the bright gold finish which I think will look best. The color of the panel as shown is with special base tint added to the casting material so that the color is completely through the entire panel. Using a base color like this under the gold (or another color under one of my other finishes) serves two purposes, one is it tends to deepen the final finish color, the other is, should the…

  • Architectural Sculptures

    D 8 mold started

    Now I found some time to start the mold for this panel, hopefully I will finish it tomorrow, but I did get a late start on the first application of silicone mold rubber, and it takes about 6 applications total, each an hour or so apart to build up sufficient thickness. Then it cures in about 6 hours, or in this case, over night before the plaster supporting shell can be made. Here’s the origial clay model laid flat on a board with the first “detail coat” carefully applied, very thinly over the whole surface to eliminate as much air bubbles as possible when it’s brushed on. Subsequent applications have…