Inspired by an original 1928-1929 design by Corrado Parducci.
on the historic..
Lee Plaza Hotel...
Detroit Michigan,
~ I present ~
Lion Spandrel Panel Nr 2240
Modelled by Randall

Randall is an art scholarship recipient of Iowa Central Community College.


A tinted cast

Below are some studio photos of my orginal clay model during it's various creation and finishing stages. These clay models are NOT molded copies taken off antiques, but were hand sculpted by Randall in the same style and configurations as 19th century and Art Deco architectural sculptures.
Molds made of my clay models enable clients to purchase cast-stone or concrete casts of my models for wall decoration, garden or incorporating into a brick wall in new construction in a variety of finishes.
  1. General information
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Setting up of the clay model, progress etc





Clay model was finished 5/2013, below is the first cast.

SIZE: Nominal 21-1/2" high by 15-1/4" wide, 4" deep
WEIGHT:around #.



HISTORY of the Lee Plaza Hotel

The ornate 15 story high Lee Plaza Hotel was built in 1928 by architect Charles Noble for land owner Ralph T. Lee.
Lee started out as a $1.50 a day furniture store employee to building up a fortune worth over $6 million prior to the crash of 1929. In 1919, Lee left his $50 per week engraving job with the J.B. VanAlstyne Engraving Company to begin investing in the real estate business. Lee began by building apartment houses in Detroit and quickly became one of the most well known builders in that city. By 1935, he had more than 30 buildings to his credit, including his Lee Plaza Hotel. The Lee Plaza's ground breaking started n May 1st, 1927 on the corner of West Grand Boulevard and Lawton Avenue. He chose the architect Charles Noble to design this hotel, and her sister on East Jefferson Avenue few years later named "The Kean."

Both the Lee and the Kean feature interesting Mediterranean and Art Deco elements, warm rusty/orange glazed brick facades, mottled glazed terracotta ornamentation, arcaded ground floor entrances, and capped by a copper gabled roof. The Lee was ornamented by sculptor Corrado Parducci. The ground floor was decorated with marble, expensive woods, bronze elevator tors, wrought-iron fixtures and elaborate plasterwork. “Like a great entrance hall in an old country chateau, the lobby of Lee Plaza bids you an appealing welcome and makes you glow with its warmth of beauty as you pause for exchange of greetings,” a 1931 brochure for the Lee states firmly.

With the onset of the Great Depression, the Lee Plaza was plagued by problems from the start because of Ralph T. Leeʼs extravagant spending. Lee sold the hotel shortly after it opened to the Detroit Investment Co., but by December 1930, the company was delinquent on its payments on a $1.1 million bond issue from 1927. The Metropolitan Trust Co. was appointed the receiver, but quickly went into receivership itself. In 1931, the Equitable Trust Co. took over, and appointed Ralph Lee an adviser. Equitable had Ralph Lee running the hotel as the manager. For about 4 years and paid him $450 per month. They also granted him considerable perks in the form of rent-free apartments in the hotel, food, room and maid services. The court however did not approve of this lavish compensation, so the bondholders asked the court to make Lee repay the compensation he had received without court approval. In July 1935, Ralph Lee admitted in court that he, his wife and a third person operated a hardware company for practically the sole purpose of selling supplies to the Lee Plaza and his other buildings at full retail prices instead of at wholesale prices. The following month, Circuit Judge Harry R. Keidan found Equitable and Ralph Lee in contempt of court and ordered them to pay the bondholders $30,000 cash. The judge also evicted Lee and his family out of the building. Two weeks later, bondholders went after Lee in court over some of his other properties. The Public Trust Commission accused him of “milking” another building named "The Lee Crest" for which he was a co-receiver. The mortgage was in default, but Lee was taking money coming in for his own salary, instead of paying off the debts on the property.

Lee also admitted that when he moved into the Lee Plaza in 1931, he sold the carpets in his Chicago boulevard home to the hotel so he could keep them. In the Fall of 1935, the Lee Plaza Hotel was bankrupt — and so was Ralph Lee. In September 1935, Lee appeared in federal bankruptcy court, trying to explain why he transferred his hardware business and interests in his buildings to his wife. “I donʼt recall now” why he made the transactions and, “I have forgotten that, too,” when asked why the transfers werenʼt recorded. Around 1937, he moved to Florida and attempted a comeback by re-entering the real estate business. But in March of 1940, he became ill and returned to Detroit for surgery. Lee died at age 49 on March 28, 1940.

The building was added to the National Register of Historic Places on Nov. 5, 1981. It was stated that “the structure is notable for its excellent state of preservation and it has never been redecorated or remodeled, unlike the majority of the cityʼs luxury hotels.” William Worden, retired director of historic designation for the City of Detroit, had led the effort to get the Lee on the historic register.

Decline, vandalism, and theft of the lions

The Lee continued to lose residents and head down hill. At the same time, the cityʼs finances was running dry and budget cutbacks would hit hard. The Lee would close it's doors permanently in 1997. Its entrances and ground-floor windows were sealed up with concrete blocks, but they couldnʼt keep the vandals and scrappers out. Once the chain link barbwired fence was cut, and the concrete blocks in one of the doors were broken out, the vandals and scrappers destroyed the interior, the ornate ballroom and marble, ripped out the wrought-iron fixtures, plumbing, aluminum window frames, and tore the entire copper sheeted roof off.
But the destruction didn't stop there, around 2000, or 2001 approximately 50 large terracotta lion spandrel panels installed below the windowsills on the top floor were stolen one by one over time.
Eventually, the theft of the lions was discovered, and a brochure promoting a new condo building in Chicago touted that the 4 lions on the new building came from the Lee Plaza Hotel in Detroit. Shortly afterwards due to complaints- the police and the FBI became involved as the theft of the terracotta lions took place over state lines. Approximately 24 of the lions and 3 terracotta gargoyles were recovered by the police from Architectural Artifacts- a Chicago salvage dealer who claimed they bought them from some other dealer in yet another state, whom they couldn't remember the name of. (yeah right!)

Some of the recovered stolen lions in the police evidence storeroom circa 2003, followed by images of before and after views of where the lions were:





Lee Plaza by Andred Jameson 2008

Today, 16 years after the Lee was shut down and boarded up, the building still sits with all it's windows and the copper roof gone, here's a picture showing the once elaborate and ornate entrance riddled with holes where terracotta ornaments were ripped out:


HISTORY of the sculptor whose artwork appears on the building

Corrado Giuseppe Parducci (March 10, 1900 - November 22, 1981) was an Italian-American architectural sculptor who was a celebrated artist for his numerous early 20th Century works. In 1924 Parducci traveled to Detroit to work for Kahn, only planning to stay for a few months. However, with the automotive industry booming in the 1920s, Parducci moved his family to Michigan and ended up spending the rest of his career working from Detroit. One of Parducci's known Detroit studios was located at Cass Ave. and Sibley St., but it has been demolished. Parducci's studio had tall windows which illuminated his work. Parducci’s work can be found on many of the Detroit area’s finest buildings including from churches, schools, banks, hospitals and residences. Parducci was born in Buti, Italy, a small village near Pisa, and immigrated to New York City in the United States in 1904. At a young age, he was sponsored by heiress/sculptor Gertrude Vanderbilt Whitney and sent to art school. He attended the Beaux-Arts Institute of Design and Art Students League. His teachers included anatomist George Bridgman and sculptor Albin Polasek.

These ship in plywood crates flat rate to your door.


Prices are no longer shown on each page due to the increasing number of pages plus their corresponding PayPal codes that I have to manually edit individually on two web sites every time I need to adjust for shipping costs or pricing.

As a general guideline- most of my sculptures are priced between $69 to $300, with many in the $100-$150 range. A price list is partially completed as a PDF file, some browsers will view PDF files directly with plug-ins, otherwise you may need to download the file:

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Due to the size and weight of many of my larger sculpture, cardboard boxes just don't work well for them, the majority of my sculptures with few exceptions are shipped in custom built CDX plywood crates, smaller sculptures may ship double boxed instead of a crate.

Shipping is now included in the price, concrete however is priced more due to the additional weight, extra production handling and packing it involves.

Larger sculptures are packed into 1/2" thick plywood crates lined with rigid foam board, packing and shreaded newspaper or excelsior, glued, joint cleated and air nailed. You will need a #2 square drive bit or large phillips driver to open the lid. Smaller sculptures ship typically double boxed.

I use FEDEX ground service for all shipments in the lower 48 states. I do not ship outside the USA.




The clay models shown in my various work in progress photos are not reproduced and molded off of existing antique pieces.
These hand sculpted models are created from scratch by Randall in water based clay, and typically take an average of 20-30 hours to set up, layout and sculpt each master model.
When the clay models are finished, they are permanently captured with silicone mold compounds which can pick up even a fingerprint and faithfully transfer it to a cast made in it. From the molds, interior cast-stone as well as concrete sculptures are made available for clients to purchase.

Existing savaged pieces are limited to what happens to be for sale at high prices, often damaged, rarely found in pairs and being typically large in scale (meant to be seen from the street from 5 floors below) they are difficult to display in today's smaller homes and apartments. Instead of making molds of these pieces, Randall creates new original models based on authentic 19th century and early 20th century Victorian, Art Deco and Louis Sullivan style architectural sculptures. While I do have a small number of older designs directly molded from antique pieces, these are being phased out over time as I create my own original models.


Designs in the Collection are copyright, this includes reproductions of antique pieces upon which I made certain modifications, alterations or changes- the changes are copyright. I do not sell molds, nor casts for others to replicate. I reserve the right to decline sales to anyone.

Original clay models by Randall (and casts made from them) all carry my impressed model numbers, paw-print logo, date of creation, signature casting number date are inscribed by hand on the back of every cast.

General information applicable to all of my sculptures

My standard cast-stone is for INTERIOR OR UNDER A COVERED PORCH ONLY! Out in the garden they might last 4 or 5 years, maybe longer before showing weather damage.

If you are looking for something for the garden or to build into a wall, I offer concrete as a special order item which takes approx 3 weeks. Not all pieces are available in concrete.

All of my sculptures have a heavy wire embedded on the back to hang them on the wall.

I offer several different finishes. The suggested default finish for each is shown in the ordering menu for each sculpture. They vary from piece to piece, and actual colors displayed on your monitor will vary as well. The samples below now include the 2 available concrete stains.



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QUESTION: Aren't these too heavy for my plasterboard wall Randall?

By no means! keep in mind- your walls weigh thousands of pounds and support the roof. HOWEVER- do not use plastic or self adhesive picture hangars of any kind, or try to simply put a screw into the thin sheetrock-these will not hold, and are not designed to.

Install your mounting hooks or other hangars into the solid wood STUD inside the wall, these are spaced 16" apart. You should use an anchor rated to hold at least twice the shipping weight of the sculpture.

To show what a sheetrock wall can hold, here is a photo of two shelves I installed on my bedroom wall for original sculptures that I couldn't mount any other way, the brackets are screwed into the wall studs with 3" screws. The weight for the stone and terra-cotta shown-the top shelf; 175# and 125# for the lower shelf- 300# total.


Another wall in the bedroom, the green copper cornice and the round lion on the left are antique salvage, the others are casts of my own sculptures. The D4-R panel can be seen on the right in the bright gold finish over the head-board.